01
Apr
07

The fundi and the gari.

First off, let me introduce some vocabulary. Since there were no cars in Tanzania before the white man arrived (or anywhere else in the world at that time, for that matter), the car related vocabulary that developed in Kiswahili is all taken from English.

Hence:

Gari - Car
Mota - Motor
Pancha - (you can start to fill these in yourself)
Egzosti -
Betri -
Gia -
and on and on, finally arriving at the very best of them all,

Fanbelti -

Coming to Arusha meant investing quite a lot in a car. Many of the roads are simply dirt trails that have been expanded by cars travelling them. People who trade or live along these roads make their own speed-bumps (that I am thankful for) by piling huge mounds of dirt in the middle of the road overnight. Effective, although at times surprising. A dirt speed-bump on a dirt road is sometimes hard to spot at 6:50 in the morning whilst swerving to avoid a somnambulant stray dog. Then there are the roads as John Loudon McAdam might have imagined them, a smooth tarmac surface that is a pleasure to drive on. These range from superb (the highway that leads to the gates of Ngorongoro Crater) to appalling (most of the sidestreets of Arusha). The latter are jarring to drive on, as they are a patchwork of dirt, potholes, and random patches of old tarmac that appear out of the dust (or mud) and cause your car to pitch and shudder, all at 4 miles an hour. Taking all of the conditions of Arusha’s roads into account, as well as my own dreams of driving around Africa in a Land Rover and my wife’s desire to be in the biggest, safest car we could afford, we decided to buy a used Land Rover. The second reason carried far more weight than the other two reasons, this much I have to admit. We bought the Land Rover from a safari company that was changing to Toyota Land Cruisers. I think that there must be entire websites dedicated to the Land Cruiser/Land Rover discussion, so I won’t touch it…for now. In one swell $7000 USD swoop, my testosterone driven dreams were realised. I can picture myself at a cocktail party in twenty years, boring someone to tears with my story of living in Africa, pulling a creased photograph of the Land Rover out of my wallet and leaning towards my tormented guest and whispering, “They don’t make these any more, you know…”

Land Rover

That is where this story really begins. Having a car means having a fundi. In East Africa a fundi is any kind of craftsman, expert, worker, jack of all trades. Here fundis can repair anything, literally anything. Car mechanics tend to be the upper echelon of fundis. We were lucky to have Exaud recommended to us. He is the Land Rover fundi par excellence of Arusha, and is reliable and honest. These are both qualities seldom associated with mechanics in any part of the world. One day, after we had handed over our monthly quota to Exaud after he had finished working on the car, he broke the news to us. “Your Land Rover needs a …” I can’t remember the term that Exaud used, but essentially he meant that the whole engine needed to be rebuilt. I resisted as long as I could, belching clouds of white smoke all the way to school and back every day. Then a sequence of events sparked me into having a frank conversation with my wife. Firstly, we watched An Inconvenient Truth, and all through the film the image of cyclists and pedestrians disappearing into our apocalyptic cloud of exhaust haunted my conscience. Soon after that, one morning we were late for school and noticed that kids we taught were appearing from our trail of exhaust, and shaking their fists at us as the spluttered past us. So we got on-line and checked our bank balance, and after some simple calculations we called Exaud and gave him the go-ahead to do what he had to do.

lifting the engine block

And he did. Three days later Exaud and some of his friends were hoisting a completely rebuilt engine (all new except for the engine block and the cylinder head) back into the safety of the Land Rover’s chassis. I am about to take it out for a drive, so when I get back perhaps I will add a couple lines about the experience. Samantha and I are many, many Tanzanian shillings poorer, but Arusha’s air quality and our consciences are unfathomably richer.


7 Responses to “The fundi and the gari.”


  1. 1 Matt April 1, 2007 at 9:26 pm

    Marcello! From what I can see in the photo, I think your problem with the engine is that big branch. You might want to remove that pronto.

  2. 2 Mama April 2, 2007 at 10:02 am

    Believe me,auto mechanics haven’t changed much in the last 30 years in Tanzania.
    Matt, the branch is absolutely necessary. Who knows when it might be needed again?

  3. 3 Matt April 2, 2007 at 4:37 pm

    You are right, Kay. A broken axle and that branch will surely come in handy once again!

  4. 4 Rachel April 10, 2007 at 3:19 am

    You guys are so confused! That photo shows the old, “dead” engine tied to a branch (like any other dead item) about to be taken to the roasting pit. Obviously, Marcello didn’t post a photo of the shiny, new engine for fear someone might “poach” it.

  5. 5 noodnik April 16, 2007 at 5:45 am

    Both unrelated and directly relevant, all two hours and eighteen minutes of a 1966 Italian documentary on the ‘decolonization’ of Africa — http://video.google.com/videoplay?docid=-5855323615829365487

  6. 6 Giorgio April 20, 2007 at 8:18 am

    Caro Marcello,

    I am happy Al Gore’s inconveniently untruthful documentary has had at least one positive result! The moral of the story is anyway that whether you are in Africa or Montefabbri without a fundi you do not go very far. You were I would assume the niapara in during the refurbishment!

    Ciao Giorgio

  7. 7 PGS April 30, 2007 at 12:00 pm

    I didn’t get far reading this post because I got stuck on the word “Gari”. While I’m not sure of the context of the word where you are, I know in Farsi, Gari means a large wagon drawn by horse/mule/donkey.

    I will get back to reading the rest of your post now.

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About Safi Kabisa

He lives under the big water tower, just at the fork in the Ilboru road in Arusha, Tanzania. He lives with his wife Samantha, and their baby girl Sofia. Whilst he has promised that this page will not become a shrine to his daughter, he realises the difficulty in keeping that from happening.
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Books and Movies (I'm in bed by 9:30).

Tepper

Confederates in the Attic- Tony Horwitz (1998)

Confederates in the Attic This book has been around my mother's house in Italy for a couple of years. The cover features a photograph, aged and sepia-toned, of the most fierce looking man you have ever seen, seated and posing for the camera. It turns out that the man is a modern day Civil War re-enactor. He is "hard core", meaning that he goes to incredible lengths to be as authentic to the experiences that true Civil War soldiers endured. He carries (and eats) rancid bacon with him, sleeps in the pouring rain, marches barefoot for miles in search of true authenticity...The book is ultimately about the connection that the South feels to the Confederacy today, a connection that seems to be getting stronger. I have never been south of Cincinatti. This was all new to me.

Cat's Cradle - Kurt Vonnegut, Jr. (1963)

Cat’s Cradle Matt's donation again. Kurt Vonnegut, Jr. died recently (a man in Arusha keeping you all up to date on cultural current events!), so I pulled this crumbling and yellowed paperback off my shelf. By chapter 2 (of 127!) the cover had fallen off. Soon I resorted to reading it like one peels a banana, discarding pages as I went. This is a book that left me wondering how beautiful it must be to have no filters, to write (or draw or whatever) with no concern about how ridiculous your creation might seem. So I won't write about the story, because it sounds ridiculous. In this book Vonnegut makes ridiculous images, events and characters into something beautiful. Rather Bokononist, perhaps.

The Conversation (1973) - starring Gene Hackman

Another of Matt's blind selections (blind to us). Matt is feeding us these great movies that we would NEVER have watched otherwise, and is giving us great cocktail party conversation. No more chatting inanely about the stunning flat note hit by the guy on Idol last night. Now I wax on for hours over a Tusker about about the terribly sad, desperate and lonesome men that are featured in Matt's films. Well, that is what I plan to do when I finally get to a cocktail party in my life. In this film Gene Hackman plays the above mentioned variety of man, a private detective/wiretapper by trade, who captures a conversation on tape that begins to affect him more and more as he listens to it, until it tips him over the edge. The usual Marello-sponsored descent into madness.


The Pawnbroker - Directed by Sydney Lumet, starring Rod Steiger

The Pawnbroker This came out of my collection without my knowing what the film was about at all. You see, I took Matt's 100 best films of all time and brought them all with me, not knowing what most of them are. It might have been a slapstick comedy with Jerry Lewis as the bungling pawnbroker. It isn't. This is an incredibly sad, powerful film of a Jewish pawnbroker in East Harlem slowly unraveling as his memories of losing his family in the holocaust begin to take over his mind. Rod Steiger is amazing, the music is beautiful (Quincy Jones), and the black and white photography of New York is great.


The Dragon Scroll - I.J Parker

0143035320_m.png Before leaving New York I bought a couple mystery novels. I have never really read mystery, so this intrigued me. The book features Sugawara Akitada, a young Japanese nobleman who has fallen on hard times. He spends the book trudging through 11th century Japan's muddy streets, defending honor (his own as well as other people's) and trying to solve a crime.


The Shape of Water - Andrea Camilleri

images1.jpg This is the other crime novel that I bought. Set in Sicily, it is the account of Ispettore Montalbano's efforts to understand and go after the local malefattori. The police and the criminals all work, of course, Sicilian style. My highlight of the book is that each time the Inspector comes home, he describes the meal that his maid has prepared for him. Managgia la miseria, they don't cook in Arusha like they do in Sicily.


Childhood's End - Arthur C. Clarke

images.jpg Bradley gave me this, a fine old hardcover version, that I shipped across at book rate. I have never read sci-fi, but this was beautiful and sad. It is a great novel, set in a dark, Jetsonsy world.


A People's History of the United States - Howard Zinn

006092643001thumbzzzjpg.gif This came in my bags. I find that when I leave the United States I immediately suffer a strange nostalgia. Not for reality TV, nor for the re4st of the bullshit. Maybe for what might have been? I guess you have to get out of all of the crap to be able to see the beauty. Anyway, I read this compulsively.


Network (film, 1976) Faye Dunaway,William Holden,Robert Duvall

images-1.jpg
I think that this movie had a similar effect on me as Zinn's book. I now look at the United States from afar, and so the shocking relevance of Network's message (who does the media serve?) to today's western societies is even more glaring. Beyond that though, the movie is almost perfect in many ways, with really great writing and acting.